"Questions, Questions..."
A series of interviews with the members of The Latin Jazz
Discussion List. All the questions were submitted by other members
of the group, their peers. Each artist was given a number of
questions with the option of answering as many as they wished.
Further discussion with the artist in this forum is invited...
Today's Subject:
Andrea Brachfield
Flutist, composer, and educator.
South Brunswick, NJ
I have been playing music since I was 6 years old.
Website: www.phoenixrisingmusic.com
CD: "Remembered Dreams" (Spirit Nectar label)
Q: "Tell us a little about your childhood - where were
you born and raised?"
I was born in Utica, NY but remember nothing, as we moved
shortly thereafter. I grew up in Spring Valley, NY. From there
we moved to France for a year then moved to NYC. The story and
moves are endless. I'll stop here.
Q: "Who was the most influential person in your life
that affected you,and your decision to become an artist?
I went to the High School of Music and Art, and I was greatly
influenced by Linda ?? ( forgot her last name) a flute/ saxophone
player and Dave Valentin, who also went to M&A at the time.
The experience of going to Music and Art was the turning point
in my life as far as becoming a musician.
Q: "When did you first fall in love with Latin music
- or - when did you first choose latin music as a career path?
Can you remember which band or artist turned you on?"
Actually Latin music chose me. I was sitting in with a friend,
Lloyd McNeil, at the Tin Palace, a club in the city, and Mauricio
Smith was in the audience. He asked me if I was working with
anyone to which I responded I wasn't. So he put me in touch with
Mike Perez who at the time had a Charanga group called Tipica
New York. Felix Wilkins, the Panamanian flutist, took me under
his wing, so to speak, and taught me a lot about Charanga music.
Q: "What piece or pieces of music made the most impact
on you and why?"
I guess I was first most impressed with Eric Dolphy when I
was first turned on to jazz. Debussy's "Afternoon of a Faun"
also had a strong affect on me. I am currently super turned on
to Tony Martinez's Maferefun and I recently heard a cut from
Don Braden's Contemporary Standards Ensemble which
blew me away. I am constantly hearing incredible music which
impacts me greatly.
Q: "Who's an artist you think more people should be aware
of..."
That's a hard question. There are so many incredible artists
out there. I guess if the public could take more chances by going
to lesser-known venues they would benefit from hearing new and
fresh music.
Q: "At what hour of the day are you most productive and
why?"
I tend to be productive all day. I try to maintain a steady
flow of intense energy doing tons of things all day then I sleep
really well at night.
Q: "Are you a song writer?"
Yes, I actually write songs with lyrics which you could call
commercial love songs. I also compose jazz, Afro-Cuban music,
and Brazilian music.
Q: "What kinds of things do you do to inspire your writing?"
People inspire me, emotions inspire me, and concepts inspire
me.
Q: "What things do you practice day to day?"
I meditate, pray, practice and do physical exercises.
Q: "What are your priorities when you go to the stage?"
I concentrate on playing as best as I can at the moment and
try to have a really good time. I also like to communicate with
the audience.
Q: "How do you see yourself in relation to the 'tradition'?"
I have had the luck to have had Bobby Sanabria as a friend
and mentor. He has helped me develop the current clinic I am
working on which has enabled me to reach deep into the tradition
of Charanga music and Afro-Cuban music. I see myself as a vehicle
through which I can impart the knowledge of the tradition to
the public.
Q: "What music do you listen to when you are relaxing?"
My life is so busy my philosophy is that I try to relax as
I am busy so I can honestly say I listen to all kinds of music
all the time.
Q: "Give us a mental image of your favorite view in the
world".
Peace, many bright colors, peace.
Q; "If you have children what kind of musical education
have you given them or do you intend to give them?"
My daughter started playing the piano at a very early age.
Then she played the violin for a short time. Next was the flute
, then the trumpet. Now she plays the French horn. She is very
educated in many types of music as I play many types of music
constantly.
Q; "What does the music you play do for you, emotionally,
spiritually, socially, whichever-other-ly?
Music keeps my soul fed, my emotions intact, my spirit full,
and physically keeps me healthy.
Q:"What changes or landmarks in your life can you attribute
to the music you play?"
The birth of my daughter changed my life and my music. The
support I receive from my husband sustains and nurtures me constantly
so I can continue to play .
Q: "When the music is at it's best in your opinion, what
is it that's happening (to make it the best) and what do you
feel?
The music is at it's best when I feel like what I play is
totally connected to how I feel and what I'm thinking is also
connected to what actually comes out.
Q: "What one CD of those you have recorded would you
keep if the others were forever lost??!!"
"Remembered Dreams"
Q: "What one CD of someone else's would you keep if all
others were lost??!!"
Duke Ellington and John Coltrane, among hundreds of others.
Q: "Name an all-star band of your favorite musicians
(and arrangers) or one band for each genre (charanga, conjunto,
big band, etc.)"
Kenwood Dennard, Giovanni Hidalgo, John DiMartino, Lincoln
Goines, Michael Brecker, Hubert Laws
Q: "What musicians would you most like to play with,
now living on earth or elsewhere?"
Same answer as above
Q; "What band or musicians would you have wanted to play
with from the past and why?"
Duke Ellington, Mario Bauza, John Coltrane, Eric Dolphy because
they were incredible , each in their own right.
Q: "Are critics important? Or do you rather see your
music reviewed in the vanity press?Are you susceptible to bad
reviews?".
Critics are important in the scheme of things like media and
publicity. We are all susceptible to bad reviews, but they can
be helpful if you respect the person who are writing them.
Q: "Do you believe in music as art, as opposed to a product
for merchandising?"
A smart musician knows that music is art and the best of both
worlds is that your music, non-compromised, becomes a product
for merchandising.
Q: "Would you still be a musician even if that means
you´ll die of hunger?"
No. If I die of hunger I would be dead and not be able to
play!!! LOL!!
Q: "If you had to choose a short segment (a few bars)
from your work to represent you, which would it be?"
Strong, clear, consistent lines.
Q: "What food would you most liken your music to?"
A fresh, healthy salad in which you find all kinds of surprises
each time you take a bite.
Q: "One piece of advice for musicians"
Always believe in your music and pray a lot when you start
to lose hope.
Q: "One piece of advice for listeners (or dancers)"
Enjoy what you hear and dance to.
Q: "One piece of advice for life"
Live life as if it were the last day of your life, because
you never know...it could be!!!
Credits:
Allan Johnston - format questions
Eliseo Cardona - translations
Lea esta entrevista en Español visite
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